I have been "shopping for inspiration" at a mexican tienda, an asian market and a mediterranean deli..so many pretty ladies, birds, quaint scenes and mythical creatures representing different food products. I like the pre-digital graphics that are still in use. A pretty package, book cover, album cover is an important link to the allure of what's inside:)
Top, tumblers inspired by the Seed Savers Exchange (kabocha squash, turnips and radishes). Bottom, candle holders for long tapers (sensitive plant and cardinal climber).
Friday, November 16, 2012
Tumblers inspired by the 2012 Seed Savers catalogue.
Pedestal bowl inspired by dragon fruit from my uncle Peter, moon cycles, watermelon, bottle brush flowers, pansies, and lace texture. Dragon fruit was pink before firing, purple after.
I paint one-of-a-kind book jackets on a range of subjects, specific artists, cultural topics, photographers and authors. The selected books are a reference to art history and the art of literature and libraries. I choose an image to paint for a cover illustration based on qualities such as poignancy and visual graphics. If the book is not illustrated, I find an image that is complementary to its contents. I may also choose to paint my version of the original illustration. The cover text is included in the painting (title, author and publisher) on a hand-cut paper jacket, using a heavy weight glossy paper and acrylic paints. This process gives the book a new essence, and restores it to better shape (I try to find used books). It also makes it a functional sculpture/painting.
Hand Painted Ceramics
I am primarily a painter using ceramics as my “canvas”. I started teaching myself ceramics as a way of exploring making paintings as functional, sculptural pieces. I love putting my personal touch on the age-old artisanal craft of shaping basic forms from slabs, molds and templates. I make them as smooth as I can where pieces join and leave them slightly natural on the edges. I like to experiment with the different clay bodies, as I don’t have one favorite kind! Some are smoother and whiter, others are dark and sandy. Painting on the different surfaces results in another layer as does the glazing. I am attracted to the more opaque matte glazes, and I have different ways to keep from completely obscuring the painted areas. I work in a community workshop in the company of many people who have been making ceramics for decades. Though I pick up certain tricks of the trade from my fellow ceramicists, I enjoy the challenge of finding my own path to making a cup, bowl, plate, pitcher or vase.